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We're somewhere outside, and "she" doesn't move, only her shadow keeps growing in the setting sun. Referring to the show, I'm pretty sure it's supposed to loosely relate to the 1st body they find. Like its characters, it got trapped in the darkness.The song itself describes a dead female body decaying in some wilderness. But the second season wasn’t bad - it just couldn’t escape the long shadow of the first. Almost every critic simply dismissed those qualities, obsessed with the ways in which Season 2 differed from Season 1.Īnd sure, Season 1 was better.
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But he was replaced by a murderer’s row of film and television directors - including Justin Lin, John Crowley and Miguel Sapochnik - all of whom brought undeniable craftsmanship, enhanced by sharp editing as well as a pulsing score from the music director T Bone Burnett. Yes, gone was the singular voice of Cary Joji Fukunaga, who directed all of Season 1. The technical achievements of Season 2 got lost in the bad press as well. She finds the truth in it by refusing to succumb to type, adding depth to her line readings and subtlety to her physical performance that reveal instead the emotional core her character over-protects. But as admittedly clichéd as the “overcompensating female cop” role can be, McAdams elevates it into something heartbreakingly genuine. By the time Caspere’s murder was solved, most viewers had lost the plot and no longer cared, unwilling to accept that the season was never really about who killed Ben Caspere.īut in hindsight, it is clear that the central mystery in Season 2 was always just a backdrop for the show’s thematic undercurrents.īezzerides demands to be perceived in the same tough manner as her male colleagues, a defense mechanism against her trauma. Season 2 supplants that relationship with a broader portrait of a corrupted city, as seen through the eyes of four characters who in some cases barely interact. The first season is driven by two strong protagonists - a pair of unforgettable detectives obsessed with the same case. It is, first of all, wildly, ambitiously different: While it once again explores the failures of modern masculinity, it does so through a different lens, de-emphasizing the murder-mystery conventions in favor of a multicharacter urban drama. Ray has close ties to the career criminal Frank Semyon (Vince Vaughn), and their lives are upended by the murder of a double-dealing city manager named Ben Caspere - a case that also ensnares the highway patrol officer Paul Woodrugh (Taylor Kitsch) and criminal investigator Antigone Bezzerides (Rachel McAdams) within a tangled web that also involved a high-speed rail boondoggle, a deadly shootout at a meth lab and secret sex parties of the political elite.Īssessing the show’s second season is easier if you put aside the expectations set by the first. Season 2 stars Colin Farrell as Ray Velcoro, a cop in a fictional California city named Vinci (modeled after Vernon). (You heard right.) And its tableau of political corruption feels even more relevant today than it did in 2015.
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It was ambitious, complex television, anchored by strong performances and expert direction. With the third season already receiving positive buzz, Season 2 of “True Detective” is likely to disappear into the history books of prestige TV.